场地特殊性 Site specific 项目通过对比的不断叠加来表现二元性：及平衡与不稳定、历史与当代，一堵表达限制的墙和一个象征容纳的圆环，空间、表里、开放与封闭，同时标志着我们这一时代的轻与重。 A manifestation of duality expressed by the constant superposition of contrasts: instability and balance, contemporary and historical, a wall that limits and a circle that receives, the space, at once, interior and exterior, the open and the closed, signalizes, at the same time, the weight and lightness of our time.
场地特殊性 Site specific
项目通过对比的不断叠加来表现二元性：及平衡与不稳定、历史与当代，一堵表达限制的墙和一个象征容纳的圆环，空间、表里、开放与封闭，同时标志着我们这一时代的轻与重。
A manifestation of duality expressed by the constant superposition of contrasts: instability and balance, contemporary and historical, a wall that limits and a circle that receives, the space, at once, interior and exterior, the open and the closed, signalizes, at the same time, the weight and lightness of our time.
展馆是当地同心圆节日的象征，是对该地，城市以及我们生活具有挑战性的时刻的反思。展馆位于洛格罗尼奥市历史中心的边缘，干预措施重新规划了广场，现有的雕塑和树木，与这一特定背景建立了联系。展馆由两个互补的几何作品组成——一面墙和一个圆圈，这是一个接近"特定地点"的装置，是通过少数元素完全改变整个公共空间的实验。
As a symbol of the concentric festival, the pavilion proposes a reflection on the place, the urban and the specific and challenging moment we live in. Located at the edge of the historic center of the city of logron?o, the intervention recognizes the square, the existing sculpture and tree, establishing a connection to this specific context. Composed of two geometric pieces that complement each other - a wall and a circle -, the pavilion approaches a 'site-specific' installation, that completely transforms, through few elements, the experimentation of this public space.
圆环作为一个完美的交汇点，产生了一个新的中心空间，以树为圆心，固定在石头上。圆环不接触地面，而是抬高并漂浮在广场上方。墙体反过来拦截并支撑圆环，同时配置了一个开口和一个屏障。对角墙连续、不透明的表面成为了步行者的雕塑背景，而开放的末端为结构提供了渗透性。
The circle acts as a meeting point par excellence, configuring, in this case, a new space of centrality, having the tree as a focal point. anchored to a stone, the circle does not touch the ground; it rises and oats above the square. The wall, in turn, intercepts and supports the circle. its design configures both an opening and a barrier. the continuous, opaque surface of the diagonal wall sets up a background for the walkers' sculpture, while the open ends provide permeability to the structure.
展馆欢迎来自公众的互动，既可以作为一个中庭，又是一个剧。通过对广场的干预，它引发了对城市关系的重新思量，以及对路径、历史记忆和新视角的叙述。邀请人们在此漫步并与展馆互动。
The scale of the intervention allows for the welcoming and reception of the public; functioning as an atrium, a theater. by involving the square, it provokes the rediscovery of urban relations, an invitation to walk through the place and interact with the pavilion. A narrative of paths, of a historical memory and of new perspectives.
展馆纤巧而纪念式的存在以简单的姿态带来了定义空间、揭示转变并产生强大而短暂的影响的可能性。在作品和流行的乡土建筑之间建立联系，旨在通过项目成为建立与历史，记忆和行动力联系的机会，将工艺归还给工匠。
The fragile and monumental presence of the pavilion brings up, in simple gestures, the possibility of defining the space, revealing a transformation and producing a powerful and ephemeral movement. The importance of generating a link between the work and popular vernacular architecture aims to return the craft of construction to the artisans, by project being an opportunity to establish connections to history, memory and action.
Project name:Concéntrico Pavilion
Company name:Sauermartins (Cássio Sauer, Elisa T Martins) + Mauricio Mendez
Website:https://www.sauermartins.com/- @sauermartins @mau.mendez.ar
Contacte-mail:mendezbau1926@gmail.com
Project location:Logro?o,La Rioja, Spain
Other participants:Concentric Festival of Design andArchitecture, Javier Pe?a Ibá?ez, Irene F Garijo, Construction Work. Gerardo Gorris, KumaStructure, Structural Consulting. Rodrigo Affonso, Team. Tomás Culleton, Antonio Cornely
Photocredits:Josema Cutillas, Cássio Sauer
