安东　红房子

就是从这条小路蜿蜒上去的

正门入口　正在施工

传说安东的红房子内部空间变幻无穷，可遇上正在施工，无法进入室内体验．

安东　红房子　质感强烈的立面　

堪尼卡

生于1962年，泰国建筑师。1991年获美国洛杉矶南加州建筑学院建筑学硕士学位。1984年获美国南伊力诺伊大学室内设计学士学位。从1996年至今，任泰国吞武里市孟库特国王技术大学兼职教师

设计构思：

I think that the weekend home in the mountain in addition to the weekday home in the city is intended to provide variation to the lives of the users. The "inwardness" as well as "non-physical" nature of our relationship to our surrounding in the city tends to leave us "shielded" from the nature as well as our physical-self. I see that the weekend home in the mountain serves not necessary to take us "away" from the city life (because city life itself can also be wonderful and stimulating in one way) but to "expose" us to the "missing components" that would give all of us a more "balanced" existence.
Therefore, the house should "expose" the users to the positive sides of the surrounding (the mountainous context, a view of the Great Wall, the clear sky full of stars, good air, various viewpoints) but at the same time has to be able to "shield" the users from the natural elements that might be too harsh for human being to take (the most fundamental idea of shelter). The idea is concentrating on creating strong relationship between the indoor / outdoor space(s) in terms of terraces and courts.

堪尼卡 　大通铺

隈研吾　竹屋

隈研吾（日本）
隈言吾的作品扎根很深，必须仔细地对它进行挖掘：迅速的、表面化的解读是毫无作用的。

设计构思：


　我们的第一个目标是从长城的礼俗中学习　我们时常受长城从未是孤立物体的事实吸引。它绵延不断着波浪起伏山脊的特质是吸引我们性抩。对我们而言它是对有在环境中自我孤立倾向的建筑常例型式的评伦。所以我们的目的是企图将长城的此种特质运用到居住行为上。这样一来房子被称作"墙"而非"房屋"。
　　至于材料，既然它在中国与日本文化中具有独特涵养，我们仅可能使用竹子。视竹子的密度与直径，它提供了各种不同的空间分割。为了充分利用这些特性，我们决定放置一个竹子墙，就像长城一样沿着基地斜面的一层竹子。长城在过去分隔了两个文化，但这竹子墙将不只分隔而且将会多方面地联合生活与文化，如此长城的一小部分。

隈研吾　竹屋

隈研吾　竹屋

透过玻璃后班驳的走廊

玻璃与竹子的奇幻效果

隈研吾　竹屋　　最后一张正面